GAMELAN PRODUKSI MADULARAS JATIREJO LOCERET NGANJUK DIMAINKAN MAHASISWA INTERNATIONAL

https://youtu.be/m2q7fHZ8a_s

See Youtube:
https://youtu.be/m2q7fHZ8a_s

Contact Person:
085655749199
082234310871

Bpk Karyadi
Tilpun Rumah:
0358-325585

PENGRAJIN GAMELAN PROSES PRODUKSI NGANJUK

 PENGRAJIN GAMELAN
"MADU LARAS"

Gamelan Craftsmen

"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013
Receiving Javanese Gamelan Order and Repairing
Laras Pelog, Slendro and Diantonis along with place with

Ordinary carving / emerging styles
Per piece or Per Set
CONTACT:

 Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

SEE Youtube:

 https://www.youtube.com/watch?v=gK8ehwSgX6Y&t=41s
 
PENGRAJIN GAMELAN
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013
Menerima Pesanan dan Perbaikan Gamelan Jawa
Laras Pelok , Slendro dan Diantonis beserta ancak / tempat dengan ukir biasa / timbul
Per biji ataupun Per Set
HUBUNGI:
Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

PENGAJIN GAMELAN - GAMELAN CRAFTSMEN LOCERET NGANJUK

PENGAJIN GAMELAN - GAMELAN CRAFTSMEN LOCERET NGANJUK

 PENGRAJIN GAMELAN
"MADU LARAS"

 Lihat di YOUTUBE:
https://www.youtube.com/watch?v=rA5VzfO58qc&feature=youtu.be

PENGRAJIN GAMELAN
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013
Menerima Pesanan dan Perbaikan Gamelan Jawa
Laras Pelok , Slendro dan Diantonis beserta ancak / tempat dengan ukir biasa / timbul
Per biji ataupun Per Set
HUBUNGI:
Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

Gamelan Craftsmen

"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013
Receiving Javanese Gamelan Order and Repairing
Laras Pelog, Slendro and Diantonis along with place with

Ordinary carving / emerging styles
Per piece or Per Set
CONTACT:

 Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

See Also
In Youtube:

https://www.youtube.com/watch?v=gK8ehwSgX6Y

SLENTHEM, GAMELAN MADU LARAS, LOCERET NGANJUK

Slenthem

PENGRAJIN GAMELAN
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013

Menerima Pesanan dan Perbaikan Gamelan Jawa
Laras Pelok , Slendro dan Diantonis beserta ancak / tempat dengan ukir biasa / timbul
Per biji ataupun Per Set
HUBUNGI:
Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

See Youtube:

https://www.youtube.com/watch?v=88KVwNMyaho&spfreload=5

https://www.youtube.com/watch?v=3rAfjFbtrgQ

https://www.youtube.com/watch?v=3K9y3ni-Zpc&t=16s

https://www.youtube.com/watch?v=mVt92DhxHlI

Slenthem merupakan salah satu instrumen gamelan yang terdiri dari lembaran lebar logam tipis yang diuntai dengan tali dan direntangkan di atas tabung-tabung dan menghasilkan dengungan rendah atau gema yang mengikuti nada saron, ricik, dan balungan bila ditabuh. Beberapa kalangan menamakannya sebagai gender penembung. Seperti halnya pada instrumen lain dalam satu set gamelan, slenthem tentunya memiliki versi slendro dan versi pelog. Wilahan Slenthem Pelog umumnya memiliki rentang nada C hingga B, sedangkan slenthem slendro memiliki rentang nada C, D, E, G, A, C'.

Cara memainkan

Cara menabuh slenthem sama seperti menabuh balungan, ricik, ataupun saron. Tangan kanan mengayunkan pemukulnya dan tangan kiri melakukan "patet", yaitu menahan getaran yang terjadi pada lembaran logam. Dalam menabuh slenthem lebih dibutuhkan naluri atau perasaan si penabuh untuk menghasilkan gema ataupun bentuk dengungan yang baik. Pada notasi C, D, E, G misalnya, gema yang dihasilkan saat menabuh nada C harus hilang tepat saat nada D ditabuh, dan begitu seterusnya.

Untuk tempo penabuhan, cara yang digunakan sama seperti halnya bila menggunakan balungan, ricik, dan saron. Namun untuk keadaan tertentu misalnya demung imbal, maka slenthem dimainkan untuk mengisi kekosongan antara nada balungan yang ditabuh lambat dengan menabuh dua kali lipat ketukan balungan. Atau bisa juga pada kondisi slenthem harus menabuh setengah kali ada balungan karena balungan sedang ditabuh cepat, misalnya ketika gendhing Gangsaran pada adegan perangan.

Sumber

https://id.wikipedia.org/wiki/Slenthem

Slenthem

Slenthem / Gender panembung
(Collection of Tropenmuseum)

The slenthem (also slentem or gender panembung) is a Javanese metallophone which makes up part of a gamelan orchestra.

The slenthem is part of the gendér family.^[1] It consists of a set of bronze keys comprising a single octave: there are six keys when playing the slendro scale and seven when playing the pelog. These keys are suspended by leather cords over individual bamboo tube resonators in a wooden frame, which are cut so that the placement of the bamboo's node causes the functional length of the resonator to be shorter for higher notes. The instrument is played by striking the keys with a mallet, called a tabuh, which has a short handle and a thin wooden disk edged in cloth or rubber. One hand is left free to dampen notes.^[2] It is a low-pitched instrument^[3] with a softer sound than the saron demung.^[4]

Like the saron barung and demung, it generally plays the most basic form of the melody (balungan) in a composition.^[5] However it also sometimes uses techniques similar to the saron to elaborate. It is especially favored in quieter gamelan ensembles (such as Gamelan Gadhon); but it is a part of standard Gamelan Gedhé as the only soft-style instrument also played in loud-style pieces.

It is typically placed among the instruments at the front of the performing area.^[6]

PENGRAJIN GAMELAN
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013

Menerima Pesanan dan Perbaikan Gamelan Jawa
Laras Pelok , Slendro dan Diantonis beserta ancak / tempat dengan ukir biasa / timbul
Per biji ataupun Per Set
HUBUNGI:
Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

 See Also:

http://gamelanmadularas.blogspot.co.id/2017/07/gong-gamelan-madu-laras-loceret-nganjuk.html

 http://gamelanmadularas.blogspot.co.id/2017/07/gamelan-madu-laras-nganjuk.html

 http://gamelanmadularas.blogspot.co.id/2017/07/kenong-gamelan-madu-laras-nganjuk.html

 http://gamelanmadularas.blogspot.co.id/2017/07/kempul-gamelan-madu-laras-nganjuk.html

 

GONG GAMELAN MADU LARAS LOCERET NGANJUK

Gong

 

PENGRAJIN GAMELAN
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013

Menerima Pesanan dan Perbaikan Gamelan Jawa
Laras Pelok , Slendro dan Diantonis beserta ancak / tempat dengan ukir biasa / timbul
Per biji ataupun Per Set
HUBUNGI:
Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

See Youtube:

https://www.youtube.com/watch?v=88KVwNMyaho&spfreload=5

https://www.youtube.com/watch?v=3rAfjFbtrgQ

https://www.youtube.com/watch?v=3K9y3ni-Zpc&t=16s

https://www.youtube.com/watch?v=mVt92DhxHlI

Gong merupakan sebuah alat musik pukul yang terkenal di Asia Tenggara dan Asia Timur. Gong ini digunakan untuk alat musik tradisional. Saat ini tidak banyak lagi perajin gong seperti ini.

Gong yang telah ditempa belum dapat ditentukan nadanya. Nada gong baru terbentuk setelah dibilas dan dibersihkan. Apabila nadanya masih belum sesuai, gong dikerok sehingga lapisan perunggunya menjadi lebih tipis.

  

 

Sumber:

https://id.wikipedia.org/wiki/Gong

 GONG 

A gong (from Javanese, Indonesian, Malay: gong; Chinese: 鑼; pinyin: luó; Thai: ฆ้อง Khong; Vietnamese: cồng chiêng) is an East and South East Asian musical percussion instrument that takes the form of a flat, circular metal disc which is hit with a mallet. It originated in China^{[citation needed]} and later spread to Southeast Asia, and it can also be used in the percussion section of a Western-style symphony orchestra. It has been suggested that it originated in Central Asia. Bronze gongs were widely used in ancient Greece and Rome, for instance in the famous Oracle of Dodona.^[1][2]

Gongs broadly fall into one of three types: Suspended gongs are more or less flat, circular discs of metal suspended vertically by means of a cord passed through holes near to the top rim. Bossed or nipple gongs have a raised centre boss and are often suspended and played horizontally. Bowl gongs are bowl-shaped, and rest on cushions and belong more to bells than gongs. Gongs are made mainly from bronze or brass but there are many other alloys in use.

Gongs produce two distinct types of sound. A gong with a substantially flat surface vibrates in multiple modes, giving a "crash" rather than a tuned note. This category of gong is sometimes called a tam-tam to distinguish it from the bossed gongs that give a tuned note. In Indonesian gamelan ensembles, some bossed gongs are deliberately made to generate in addition a beat note in the range from about 1 to 5 Hz. The use of the term "gong" for both these types of instrument is common.

In older Javanese usage and in modern Balinese usage, gong is used to identify an ensemble of instruments. In contemporary central Javanese usage, the term gamelan is preferred and the term gong is reserved for the gong ageng, the largest instrument of the type, or for surrogate instruments such as the gong komodong or gong bumbu (blown gong) which fill the same musical function in ensembles lacking the large gong. In Balinese usage, gong refers to Gamelan Gong Kebyar.

PENGRAJIN GAMELAN
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013

Menerima Pesanan dan Perbaikan Gamelan Jawa
Laras Pelok , Slendro dan Diantonis beserta ancak / tempat dengan ukir biasa / timbul
Per biji ataupun Per Set
HUBUNGI:
Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585

Source:

https://en.wikipedia.org/wiki/Gong

SEE ALSO:

 http://gamelanmadularas.blogspot.co.id/2017/07/gamelan-madu-laras-nganjuk.html

 http://gamelanmadularas.blogspot.co.id/2017/07/kenong-gamelan-madu-laras-nganjuk.html

 http://gamelanmadularas.blogspot.co.id/2017/07/kempul-gamelan-madu-laras-nganjuk.html