PENGRAJIN GAMELAN
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013
"MADU LARAS"
NO SIUP: 511.3/2933/411.306/2013
Menerima Pesanan dan Perbaikan Gamelan Jawa
Laras Pelok , Slendro dan Diantonis beserta ancak / tempat dengan ukir biasa / timbul
Per biji ataupun Per Set
HUBUNGI:
Bpk Karyadi / Bpk Pardjono
No. HP : 085655749199
082234310871
0358-325585
Kenong
See Youtube:
https://www.youtube.com/watch?v=88KVwNMyaho&spfreload=5
https://www.youtube.com/watch?v=3rAfjFbtrgQ
https://www.youtube.com/watch?v=3K9y3ni-Zpc&t=16s
https://www.youtube.com/watch?v=mVt92DhxHlI
Kenong merupakan salah satu alat musik yang menyusun gamelan Jawa. Kenong biasanya dimainkan
dengan dipukul oleh satu alat pemukul. Alat ini merupakan pengisi akor atau
harmoni dalam permainkan gamelan, kenong berfungsi sebagai penentu batas-batas
gatra, menegaskan irama. Kenong juga termasuk dalam alat musik berpencu, namun
ukuran lebih besar daripada bonang. Alat ini juga dipukul menggunakan alat
pemukul kayu yang dililitkan kain. Jumlah dalam satu set bervariasi tetapi
biasanya sekitar 10 buah.
Bentuk
Kenong merupakan unsur instrumen pencon gamelan yang paling gemuk, dibandingkan
dengan kempul dan gong yang walaupun
besar namun berbentuk pipih. Kenong ini disusun pada pangkon berupa kayu
keras yang dialasi dengan tali, sehingga pada saat dipukul kenong tidak akan
bergoyang ke samping namun dapat bergoyang ke atas bawah, sehingga menghasilkan
suara. Bentuk kenong yang besar menghasilkan suara yang rendah namun nyaring dengan
timber yang khas (dalam telinga masyarakat Jawa ditangkap
berbunyi ning-nong, sehingga dinamakan kenong). Dalam gamelan, suara kenong
mengisi sela-sela antara kempul.
Sumber:
Kenong
The kenong is an instruments used in the
Indonesian gamelan. It is
technically a kind of gong. It is placed
on its side . I has the same length and width. Thus it is similar to the bonang, kempyang and ketuk, which are
also cradled gongs. Kenongs are generally much larger than the aforementioned
instruments. However. It has a considerably higher pitch. Its sound stands out
because of its unique timbre. The kenong sticks are taller than that of the
bonang. The kenong is sometimes played by the same player as the kempyang and ketuk.
Most of the instruments in the gamelan 'family'. are originally from China but spread to Southeast Asia.
The kenong usually has a specific part in the colotomic structure of
the gamelan, marking off parts of a structure smaller than a gongan (the space between each strike
of the gong). The interval of each part between strikes of a kenong is called a
nongan. In a fast, short structure these can only last a second or so;
in a longer gendhing, particularly
in a slow irama, they can last several minutes.
There are usually two or four nongans in a gongan.
Kenongs are usually in sets of one for each note, although sometimes other
notes can be substituted for any missing notes. A full gamelan would include
sets for slendro and pelog. The boxes (rancak)
for the kenong are usually for one or two; these are then put in a line or
curve surrounding the player. There are generally more of them than there are kempuls, as all gamelan structures
require kenong but not necessarily kempul.
Source:
Excellent...to preserve our traditional arts
BalasHapus